Tuesday, March 9, 2010

Stay Foolish!

A friend just sent this to me and I had to share! I hope you enjoy!


'You've got to find what you love,' Jobs says

This is the text of the Commencement address by Steve Jobs, CEO of Apple Computer and of Pixar Animation Studios, delivered on June 12, 2005.

I am honored to be with you today at your commencement from one of the finest universities in the world. I never graduated from college. Truth be told, this is the closest I've ever gotten to a college graduation. Today I want to tell you three stories from my life. That's it. No big deal. Just three stories.

The first story is about connecting the dots.

I dropped out of Reed College after the first 6 months, but then stayed around as a drop-in for another 18 months or so before I really quit. So why did I drop out?

It started before I was born. My biological mother was a young, unwed college graduate student, and she decided to put me up for adoption. She felt very strongly that I should be adopted by college graduates, so everything was all set for me to be adopted at birth by a lawyer and his wife. Except that when I popped out they decided at the last minute that they really wanted a girl. So my parents, who were on a waiting list, got a call in the middle of the night asking: "We have an unexpected baby boy; do you want him?" They said: "Of course." My biological mother later found out that my mother had never graduated from college and that my father had never graduated from high school. She refused to sign the final adoption papers. She only relented a few months later when my parents promised that I would someday go to college.

And 17 years later I did go to college. But I naively chose a college that was almost as expensive as Stanford, and all of my working-class parents' savings were being spent on my college tuition. After six months, I couldn't see the value in it. I had no idea what I wanted to do with my life and no idea how college was going to help me figure it out. And here I was spending all of the money my parents had saved their entire life. So I decided to drop out and trust that it would all work out OK. It was pretty scary at the time, but looking back it was one of the best decisions I ever made. The minute I dropped out I could stop taking the required classes that didn't interest me, and begin dropping in on the ones that looked interesting.

It wasn't all romantic. I didn't have a dorm room, so I slept on the floor in friends' rooms, I returned coke bottles for the 5¢ deposits to buy food with, and I would walk the 7 miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example:

Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn't have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating.

None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, its likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later.

Again, you can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.

My second story is about love and loss.

I was lucky — I found what I loved to do early in life. Woz and I started Apple in my parents garage when I was 20. We worked hard, and in 10 years Apple had grown from just the two of us in a garage into a $2 billion company with over 4000 employees. We had just released our finest creation — the Macintosh — a year earlier, and I had just turned 30. And then I got fired. How can you get fired from a company you started? Well, as Apple grew we hired someone who I thought was very talented to run the company with me, and for the first year or so things went well. But then our visions of the future began to diverge and eventually we had a falling out. When we did, our Board of Directors sided with him. So at 30 I was out. And very publicly out. What had been the focus of my entire adult life was gone, and it was devastating.

I really didn't know what to do for a few months. I felt that I had let the previous generation of entrepreneurs down - that I had dropped the baton as it was being passed to me. I met with David Packard and Bob Noyce and tried to apologize for screwing up so badly. I was a very public failure, and I even thought about running away from the valley. But something slowly began to dawn on me — I still loved what I did. The turn of events at Apple had not changed that one bit. I had been rejected, but I was still in love. And so I decided to start over.

I didn't see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods of my life.

During the next five years, I started a company named NeXT, another company named Pixar, and fell in love with an amazing woman who would become my wife. Pixar went on to create the worlds first computer animated feature film, Toy Story, and is now the most successful animation studio in the world. In a remarkable turn of events, Apple bought NeXT, I returned to Apple, and the technology we developed at NeXT is at the heart of Apple's current renaissance. And Laurene and I have a wonderful family together.

I'm pretty sure none of this would have happened if I hadn't been fired from Apple. It was awful tasting medicine, but I guess the patient needed it. Sometimes life hits you in the head with a brick. Don't lose faith. I'm convinced that the only thing that kept me going was that I loved what I did. You've got to find what you love. And that is as true for your work as it is for your lovers. Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven't found it yet, keep looking. Don't settle. As with all matters of the heart, you'll know when you find it. And, like any great relationship, it just gets better and better as the years roll on. So keep looking until you find it. Don't settle.

My third story is about death.

When I was 17, I read a quote that went something like: "If you live each day as if it was your last, someday you'll most certainly be right." It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself: "If today were the last day of my life, would I want to do what I am about to do today?" And whenever the answer has been "No" for too many days in a row, I know I need to change something.

Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. Because almost everything — all external expectations, all pride, all fear of embarrassment or failure - these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart.

About a year ago I was diagnosed with cancer. I had a scan at 7:30 in the morning, and it clearly showed a tumor on my pancreas. I didn't even know what a pancreas was. The doctors told me this was almost certainly a type of cancer that is incurable, and that I should expect to live no longer than three to six months. My doctor advised me to go home and get my affairs in order, which is doctor's code for prepare to die. It means to try to tell your kids everything you thought you'd have the next 10 years to tell them in just a few months. It means to make sure everything is buttoned up so that it will be as easy as possible for your family. It means to say your goodbyes.

I lived with that diagnosis all day. Later that evening I had a biopsy, where they stuck an endoscope down my throat, through my stomach and into my intestines, put a needle into my pancreas and got a few cells from the tumor. I was sedated, but my wife, who was there, told me that when they viewed the cells under a microscope the doctors started crying because it turned out to be a very rare form of pancreatic cancer that is curable with surgery. I had the surgery and I'm fine now.

This was the closest I've been to facing death, and I hope its the closest I get for a few more decades. Having lived through it, I can now say this to you with a bit more certainty than when death was a useful but purely intellectual concept:

No one wants to die. Even people who want to go to heaven don't want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life's change agent. It clears out the old to make way for the new. Right now the new is you, but someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it is quite true.

Your time is limited, so don't waste it living someone else's life. Don't be trapped by dogma — which is living with the results of other people's thinking. Don't let the noise of others' opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.

When I was young, there was an amazing publication called The Whole Earth Catalog, which was one of the bibles of my generation. It was created by a fellow named Stewart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late 1960's, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and polaroid cameras. It was sort of like Google in paperback form, 35 years before Google came along: it was idealistic, and overflowing with neat tools and great notions.

Stewart and his team put out several issues of The Whole Earth Catalog, and then when it had run its course, they put out a final issue. It was the mid-1970s, and I was your age. On the back cover of their final issue was a photograph of an early morning country road, the kind you might find yourself hitchhiking on if you were so adventurous. Beneath it were the words: "Stay Hungry. Stay Foolish." It was their farewell message as they signed off. Stay Hungry. Stay Foolish. And I have always wished that for myself. And now, as you graduate to begin anew, I wish that for you.

Stay Hungry. Stay Foolish.

Thank you all very much.


Wednesday, January 6, 2010

Family


I have always had a special place in my heart for all things "old" I am not exactly sure where and when this love affair started but my family's history is one of the most dominating part of my upbringing. And it has hugely influenced my art and passions for life
My "Dita" (grandmother) has shared so many stories with me about my family's history. I've always been so entranced with all of the details of the houses the cars and the fashion. It was almost as if I was born in the wrong era. When ever I talk with my Dita I find myself asking more about our history. Even if I have heard the same story 10 times, I want to know more. Maybe she missed a detail of the story and remembered it the 10th time around.
My favorite way to spark up a conversation about my Dito (grandfather) and Dita is to ask about pictures. What I have found to be the most informative is when I find old pictures that I might not know very much about. I get the story and the visual that gives so much more detail to the stories.

So with all of that said, I came across this picture that I know very little about. Except that this is how I remember my Dita and Dito at their most happy. My most vivid memories of the two of them always involved dancing. If it was at a wedding or their wedding anniversary party or even on a cruise. Where I saw my Dita, for the first time, cut in on a woman who was dancing with my Dito. Oh, how that still puts a smile on my face to this day. They both loved to dance so much! Whenever there was dancing my Dito never let me be a wallflower I wish I could be. He would grab my hand and if i even resisted a little he'd say "coño, get up and dance". As terrible of a dancer I am, he always made me feel so great. I could only imagine how he made my Dita feel.
In this picture my Dita looks so vibrant and I think my Dito is either singing the song playing or making his serious dance face. Even though he might be a little awkward, I still think this is such a great picture. I wish I could find the original negative so I could have re-exposed.

Friday, April 10, 2009


A few years back I decided that I was incapable of having any plant what so ever. I forget to water them and most of the time they end up dwindling down to a few pathetic leaves. The problem with my inability to sustain the life of a plant is that I love them and love looking at them, I also use flowers and plants as a reference in my paintings.

With that said, I decided to give myself a second chance since I have kept my Pothos alive and (mostly)flourishing for 9 months. So today I took a little trip to Blue Hills Nursery and bought myself 4 baby succulents. Since they are one of the most durable plants I figured I couldn't go wrong.

Mind you that as I was leaving the woman checking me out mentioned that I should wait for the soil to be completely dry before watering and if I watered them too much I could drowned them (the quickest way to kill the one of most durable plants around). Hopefully this doesn't end up being the case. Normally, I forget to water so these cute baby succulents should be a perfect fit.

Friday, April 3, 2009





I vistied LACMA this week and forgot how amazing the Eli Broad collection is. A new addition to the museum, a lot of this collection has not been seen by many anyone outside of an education.

There are so many artists that have had a direct effect on what we see today in all that is creative.
Much to my surprise on the bottom floor of the new Broad building were two monumental sculptures by Richard Serra.
Even though photography isn't allowed I had to indulge so I could share.

Wednesday, March 25, 2009

Brooklyn Collective









Brooklyn Collective has move and the new space is beautiful!
Its three times the size and a great venue for all of the artists involved.

insipration





I recently traveled with my paintings to Brooklyn, New York for an art show at Brooklyn Collective. Every time I visit I get to stay with my dear friend tessa. Here are a few pictures of her home where she designs her one-of-a-kind dresses, skirts and tops. Her husband Lewis a jewlery designer also works in the same space so the combination of the two is one the most motivating and inspiring places to be, paired with the vibrance of the city itself its sometimes hard to leave.

Friday, March 13, 2009

New Art for Brooklyn Collective



my work in progress...

if you are in the NY area come see my new work in person


Brooklyn Collective has moved to 196 Columbia Street!

Come help us celebrate our new partnership with General Nightmare Antiques.

Friday, March 20th
7pm-12am

Featuring Over 20 Artists and Designers
Niccole Ugay, Chris Tsanos, Colleen Rochette, CharlieDoes, Casey Miller, AndreaClaire, Alexandra Batsford, Milton Carter, Species by the Thousands, Rachel Goldberg, Lewis Henry Nicholas, Tessa Williams, AshiDashi, Knox, Susan Steinbrock, Jess Yam, David Aloia, LanVy, Melissa Banigan, Tattoo Girl Lingerie, Sarah Nicole Phillips and Modulari

Free beer, wine, live music, and Tattoo Girl Burlesque!
Brooklyn Collective/General Nightmare
196 Columbia Street
(between Sackett and Degraw)
For further info please visit www.brooklyncollective.com